
- Anonymous. ‘Loverd, thou clepedest me’
- ––––––. ‘What I see in Egoli’
- Armstrong, Marion. ‘Gift’
- Auden, W. H. ‘Lines to Dr Walter Birk on his Retiring from General Practice’
- Baxter, James K. ‘The Christmas Meditation of Concrete Grady’
- ––––––. ‘A Pair of Sandals’
- ––––––. ‘A Small Ode on Mixed Flatting’
- ––––––. ‘Air Flight to Delhi’
- ––––––. ‘He Waiata o Hemi’
- ––––––. ‘Letter from the Mountains’
- ––––––. ‘Rocket Show’
- ––––––. ‘Shalimar’
- ––––––. ‘Song to the Holy Spirit’
- ––––––. ‘Song to the Lord God on a Spring Morning’
- Berrigan, Daniel. ‘Some’
- Berry, Wendell. ‘Amish Economy’
- Bingham, Geoffrey C. ‘Beyond Despair’s Beyond’
- ––––––. ‘Creation’
- ––––––. ‘David: Psalm 51′
- ––––––. ‘Identification’
- ––––––. ‘Love Is the True Pain’
- ––––––. ‘O Cross of Christ, O place of bliss’
- ––––––. ‘Wrath Averted’
- ––––––. ‘Where, Then, is the Sting?’
- Birnie, John. ‘The Chapel, St Martin’s Island’
- Blake, William, ‘The Clod and the Pebble’
- Bly, Robert. ‘Call and Answer’
- Boisseau, Michelle. ‘The Fury That Breaks’
- Broadbridge, David. ‘Rembrandt: David and Uriah’
- Brown, George Mackay. ‘Epiphany Poem’
- ––––––. ‘January’
- Burnside, John. ‘At My Father’s Funeral’
- Cairns, Scott. ‘Adventures in New Testament Greek: Nous’
- ––––––. ‘To Himself’
- ––––––. ‘The Entrance of Sin’
- ––––––. ‘Into Hell and Out Again’
- Carson, D. A. ‘Eleven’
- Casaldáliga, Pedro. ‘Deixa a Cúria, Pedro!’
- Case, Edward Murray. ‘In Memoriam: Ernst Cassirer’
- Clemo, Jack. ‘On the Death of Karl Barth’
- Clutterbuck, Charlotte. ‘Why I still go to church’
- Cohen, Leonard. ‘I have not lingered in European monasteries’
- Colquhoun, Glenn. ‘Playing God’
- Cording, Robert. ‘Advent Stanzas’
- ––––––. ‘April Peepers, Flaubert, and Springsteen’
- ––––––. ‘After A Mockingbird’
- ––––––. ‘Christmas Soccer Game, 1915’
- ––––––. ‘Luther and the Devil’
- ––––––. ‘Mozart’s Starling’
- ––––––. ‘Much Laughter’
- ––––––. ‘Parable of the Moth’
- ––––––. ‘Peregrine Falcon, New York City’
- ––––––. ‘Staying Awake’
- Crotty, Michael. ‘Story of God’
- Davis, Noel. ‘And there is no dawn’
- Donne, John. ‘Goodfriday, 1613. Riding Westward’
- Douglas, Keith. ‘How To Kill’
- Duffy, Carol Ann. ‘Mrs Lazarus’
- Eich, Günter. ‘End of August’
- ––––––. ‘Journey’
- ––––––. ‘Topography of a Better World’
- Eliot, T. S. ‘Ash Wednesday’
- ––––––. ‘‘East Coker’, Part IV’
- ––––––. ‘Journey of the Magi’
- Esquivel, Julia. ‘They Have Threatened Us With Resurrection’
- Gaunt, Alan. ‘For P T Forsyth 1848-1921’
- Goroncy, Jason. ‘Assembly’
- ––––––. ‘Karitane, New Year’s Day’
- ––––––. ‘The Killing Tree’
- ––––––. ‘Regained’
- ––––––. ‘Carrying’
- ––––––. ‘Change of Address’
- ––––––. ‘Gathering’
- ––––––. ‘An (irregular) ode to Uncle Karl’
- ––––––. ‘It doesn’t matter that I lost my shoes‘
- ––––––. ‘On Max Ernst’s “The Virgin Chastises the infant Jesus before Three Witnesses: André Breton, Paul Éluard, and the Painter” (1926)’
- ––––––. ‘Otago Farmers’ Market’
- ––––––. ‘A preacher’s morning hours’
- ––––––. ‘Sabbath’
- ––––––. ‘Sometimes parenting is like raking leaves’
- ––––––. ‘Tui’
-
––––––. ‘Samuel Johnson, 1709–84’
- ––––––. ‘Pinkfoot, Hawarden’
- ––––––. ‘black friday’
- ––––––. ‘You lie here’
- Goroncy, Judy. ‘Being, After Martin’
- Guite, Malcolm. ‘Mother Julian’
- Hall, Donald. ‘Advent’
- Hamill, Chrissy. ‘(Bend, motherfucker, bend.)’
- Hardy, Thomas. ‘To My Father’s Violin’
- Hart, Kevin. ‘The Last Day’
- Heaney, Seamus. ‘Chorus’
- ––––––. ‘Death of a Naturalist’
- Hill, Geoffrey. ‘Tenebrae’
- Holper, David. ‘Weekend Plans’
- James, Clive. ‘The Eternity Man’
- ––––––. ‘Sentenced to Life’
- Jennings, Elizabeth. ‘The Annunciation’
- Jennings, Kate. ‘Father and Daughter’
- Johnson, Trygve David. ‘Advent’
- Jones, David. ‘A, a, a, Domine Deus’
- Jones, Joshua. ‘On Behalf of the Committee’
- Jones, Susan. ‘Unseasonable Journey’
- Kenseth, Arnold. ‘Death and Resurrection’
- ––––––. ‘A Praise in Advent’
- ––––––. ‘Sunday’s Hour’
- Larkin, Philip. ‘Church Going’
- Lawrence, D. H. ‘Song of a Man Who Has Come Through’
- Leunig, Michael. ‘Carnival of the Animals’
- ––––––. ‘Underpants Which Have In Winter Sagged (A Hymn for Spring)’
- Levertov, Denise. ‘A Cure of Souls’
- Loader, William. ‘The tears touch the red dust beneath our feet’
- Lumsden, David. ‘Cosmè Tura: St Dominic, c. 1475’
- ––––––. ‘Hermit’
- Malouf, David. ‘Long Story Short’
- Mariani, Paul. ‘What the Father Came to See’
- Masters, Edgar Lee. ‘Silence’
- McAlpine, Rachel. ‘Here It Is’
- McEntyre, Marilyn Chandler. ‘Simeon with the Christ Child in the Temple’
- McQueen, Cilla. ‘Riddles’
- Miłosz, Czesław. ‘A Poem For the End of the Century’
- ––––––. ‘A Song On The End Of The World’
- Mitchell, Paul. ‘Get the Word’
- ––––––. ‘Beatitudes‘
- Morgan, Edwin. ‘Open the Doors!’
- Muir, Edwin. ‘The Incarnate One’
- ––––––. ‘The Transfiguration’
- Murray, Donald S. ‘Iolaire’
- Murray, Les. ‘Animal Nativity’
- ––––––. ‘Flowering Eucalypt in Autumn’
- ––––––. ‘The Mitchells’
- ––––––. ‘The Muddy Trench’
- ––––––. ‘One Kneeling, One Looking Down’
- ––––––. ‘Poetry and Religion’
- O’Donohue, John. ‘The Annunciation’
- O’Siadhail, Micheal. ‘Motet’
- ––––––. ‘Out of the Blue’
- Oliver, Mary. ‘Wild Geese’
- Page, Geoff. ‘My mother’s God’
- Paisley, John. ‘Christmas’
- ––––––. ‘Credo and Petition’
- ––––––. ‘Forty Days and Forty Nights’
- ––––––. ‘Jacob Recalls the Fight at Peniel’
- Paterson, A. B. Banjo. ‘A Bush Christening’
- ––––––. ‘He Giveth His Beloved Sleep’
- Prewer, Bruce. ‘Emmaus’
- Quenon, Paul. ‘My Novices: late 1950s’
- Raffills, Mark. ‘The child is your king’
- Read, Herbert. ‘Bombing Casualties: Spain’
- Sexton, Anne. ‘Jesus Summons Forth’
- ––––––. ‘The Sickness Unto Death’
- Shaw, Luci. ‘Holding On’
- ––––––. ‘Recognition’
- ––––––. ‘Virgin’
- Shea, John. ‘The Man Who Was a Lamp’
- Shetler, Kaitlin Hardy. ‘A Christmas Poem’
- Southwell, Robert. ‘Marie Magdalen’s complaint at Christ’s death’
- Slavitt, David R. ‘Cough’
- ––––––. ‘The Seven Deadly Sins’
- ––––––. ‘Stupid’
- ––––––. ‘What Is Poetry About?’
- Stead, C. K. ‘Without’
- Stevenson, Anne. ‘The Minister’
- Stratman, Jacob. ‘a poem for my sons when they yell at God’
- Strauss, Jennifer. ‘The Anabaptist Cages, Münster’
- Szymborska, Wisława. ‘Hard Life with Memory’
- ––––––. ‘Vermeer’
- Tennyson, Alfred Lord. ‘The Kracken’
- ––––––. ‘Vastness’
- Thomas, R. S. ‘Anniversary’
- ––––––. ‘Annunciation’
- ––––––. ‘The body is mine and the soul is mine’
- ––––––. ‘The Bright Field’
- ––––––. ‘Children’s Song’
- ––––––. ‘The Coming’
- ––––––. ‘The Country Clergy’
- ––––––. ‘The Empty Church’
- ––––––. ‘God’s fool, God’s jester’
- ––––––. ‘He atones not with blood’
- ––––––. ‘Hill Christmas’
- ––––––. ‘It is one of those faces’
- ––––––. ‘Lord of the molecule’
- ––––––. ‘A Marriage’
- ––––––. ‘The Musician’
- ––––––. ‘Not the empty tomb’
- ––––––. ‘Resurrection’
- ––––––. ‘There is a being, they say’
- ––––––. ‘They set up their decoy’
- ––––––. ‘To be alive then’
- ––––––. ‘The Waiting’
- ––––––. ‘The Word’
- Thorpe, Grant. ‘Conscience’
- Turner, Brian. ‘Dictionaries of National Biography’
- ––––––. ‘From Bracken’s Lookout, Dunedin’
- ––––––. ‘July, Carey’s Bay’
- ––––––. ‘On Top of the World’
- ––––––. ‘Otago Peninsula’
- ––––––. ‘Place’
- ––––––. ‘Presbyterian Support Services’
- ––––––. ‘Sadness and Shadow’
- ––––––. ‘Semi-Kiwi’
- ––––––. ‘Some reasons why I got this job’
- ––––––. ‘Vane’
- ––––––. ‘The Vernacularies’
- Updike, John. ‘Seven Stanzas at Easter’
- van Dorp, Catherine. ‘Thoughts on being The Registrar’
- Villiers, Annie. ‘Mended’
- Wallace, Bill. ‘Synod’
- Walls, Don. ‘Manic Depression’
- Watson, Maureen. ‘Memo to J.C.’
- Weston, Tom.‘Painting the fall’
- Williams, Rowan. ‘Advent Calendar’
- ––––––. ‘Rublev’
- Wright, Franz. ‘5:00 Mass’
- ––––––. ‘Baptism’
- ––––––. ‘Old Story’
- ––––––. ‘One Heart’
- Wright, Judith. ‘Judas in Modern Dress’
- Wyatt, Thomas Wyatt. ‘Ffrom depth off sinn’
- Yeats, W. B. ‘The Fascination of What’s Difficult’
- ––––––. ‘The Second Coming’
I love poetry, hymnology. Wrestling Jacob by Charles Wesley is still one of my favorites – “Come, O Thou Traveler unknown,
Whom still I hold, but cannot see.”
>>>>>>>>>>>>>>>>>
“Yield to me now, for I am weak,
Speak to my heart, in blessing speak..”
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I wonder if you have read any of Gerard Manely Hopkins poetry. His poem “As Kingfishers catch fire” took the breath out of me the first time I heard it. The way he used words for both their meaning and sound is amazing.
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A scholar! A site to enjoy indeed, although there is so much here you could spend part of a lifetime exploring it all. A lot of the poetry you present is wonderful, of course.
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