Author: Jason Goroncy

Colin Gunton Day Conference

I have mentioned this before on this blog, but it’s probably worth re-mentioning. A day conference to celebrate the theological work of the late Professor Colin Gunton is scheduled for Monday 10 September 2007 at Spurgeon’s College, London.

The title of the conference is The Triune God in the Theology of Colin E. Gunton. The conference will be held on Monday 10 September 2007, at Spurgeon’s College in London (from 10:30 am to 4:45 pm). There will be four speakers who will present papers on some aspect of Gunton’s theology:

Robert W. Jenson (Center of Theological Inquiry, Princeton)
John E. Colwell (Spurgeon’s College, London)
Stephen R. Holmes (St Mary’s College, St Andrews)
Douglas H. Knight (Birkbeck, London)

The deadline for those wishing to book a place at a reduced rate is Monday 4 June.

If you have any questions regarding this conference contact Terry Wright at guntonconference@hotmail.co.uk

No grace without art

While I would frame the argument rather differently, I enjoyed reading this recent piece by Steve Stockman. Here’s a taste: ‘Without art there can be no grace! … Grace is not a cold creedal confession but the energy that interrupts our lives with an alternative way to live … When we are locked into the malaise of our culture whether it is materialism, racism, sectarianism, environmental catastrophe or war then grace comes alive in alternative possibilities. Grace is more valued with those who need its interruption. But when grace interrupts those who receive its benefits, it should cause those who are turned upside down to start using it, not for their own selfish ends but for the good of others; it is the fruit of grace’s interruption. For followers of Christ who aim to bring God’s Kingdom on earth as it is in heaven, the respect that they give art in their community will deem whether they make any impression in interpreting how it is on earth to conjure how it is going to be in heaven. Grace is a thought that can change the world but it is also an imaginative engine to propel the change. Demean the artist at the cost of the Kingdom.’ Read the whole article here.

On another note, Dan has posted a worthwhile piece on ‘A Few Theses on Christianity and Patriotism‘. It reminded me of Peter Leithart’s great little book Against Christianity.

Books on the Atonement

In the year of his passing (1917), the great James Denney’s The Christian Doctrine of Reconciliation was published. Commenting on books written on the atonement, he penned the following:

‘Of all books that have ever been written on the atonement, as God’s way of reconciling man to Himself, McLeod Campbell’s is probably that which is most completely inspired by the spirit of the truth with which it deals. There is a reconciling power of Christ in it to which no tormented conscience can be insensible. The originality of it is spiritual as well as intellectual, and no one who has ever felt its power will cease to put it in a class by itself. In speculative power he cannot be compared to Schleiermacher, nor in historical learning to Ritschl, and sometimes he writes as badly as either; but he walks in the light all the time, and every thing he touches lives’.

Of course, the first half of the twentieth century saw some wonderful work done on the atonement. Forsyth’s The Cruciality of the Cross and The Work of Christ, and Denney’s The Death of Christ, being of, to my mind, the best. And in the previous century, Erskine’s The Brazen Serpent stands out alongside McLeod’s Campbell’s work.

But what of the second half of last century, and the first years of this one? What are the works that do (and should) stand out? Of whose work could it today be said, ‘There is a reconciling power of Christ in it to which no tormented conscience can be insensible’?

What works would you nominate?: Moltmann’s The Crucified God? Smail’s Once and For All? Torrance’s The Mediation of Christ? Gunton’s The Actuality of the Atonement? Bingham’s Christ’s Cross Over Man’s Abyss? Stott’s The Cross of Christ? Morris’ The Apostolic Preaching of the Cross? Schmiechen’s Saving Power? … ? What works would you nominate, and why?

Moreover, who is writing of the atonement today not as an onlooker but as one who has been there, and is there still?


The Heythrop Journal is out

The latest edition of The Heythrop Journal (Volume 48, Issue 3, May 2007) is out and includes some worthwhile reading.

THE DESIRE OF GOD
by GARRY J. DEVERELL (I particularly enjoyed this article. Thanks Garry)

KIERKEGAARD ON TAKING AN OUTING TO DEER PARK
by T. F. MORRIS

ACKNOWLEDGING A HIDDEN GOD: A THEOLOGICAL CRITIQUE OF STANLEY CAVELL ON SCEPTICISM
by JUDITH E. TONNING

DIALECTICS OF DESIRE AND THE PSYCHOPATHOLOGY OF ALTERITY: FROM LEVINAS TO KIERKEGAARD VIA LACAN
by BRIAN HARDING

WHOSE KENOSIS? AN ANALYSIS OF LEVINAS, DERRIDA, AND VATTIMO ON GOD’S SELF-EMPTYING AND THE SECULARIZATION OF THE WEST
MARIE L. BAIRD

CHRISTOLOGY FROM WITHIN
by ILIA DELIO

Also, for those interested in things closer to the Forsythian camp, there’s a review of Jeremy Morris’ F. D. Maurice and the Crisis of Christian Authority by Jan Marten Ivo Klaver


Kierkegaard on the Church’s freedom , and the faithfulness of depression

‘If the Church is “free” from the state, it’s all good. I can immediately fit in this situation. But if the Church is to be emancipated, then I must ask: By what means, in what way? A religious movement must be served religiously – otherwise it is a sham! Consequently, the emancipation must come about through martyrdom – bloody or bloodless. The price of purchase is the spiritual attitude. But those who wish to emancipate the Church by secular and worldly means (i.e. no martyrdom), they’ve introduced a conception of tolerance entirely consonant with that of the entire world, where tolerance equals indifference, and that is the most terrible offence against Christianity … [T]he doctrine of the established Church, its organization, are both very good indeed. Oh, but then our lives: believe me, they are indeed wretched’. – Søren Kierkegaard, Journals (January 1851)

‘In addition to my other numerous acquaintances, I have one more intimate confidant. My depression is the most faithful mistress I have known – no wonder, then, that I return the love’. – Søren Kierkegaard

Lesson and the Arts

For those who may be interested, I’ve just had 4 wee articles published in the June edition of Lectionary Homiletics.

‘Lesson and the Arts: Pablo Picasso and Romans 5:1–5’, pp. 10–11.

‘Lesson and the Arts: Dylan Thomas and Luke 7:11–17’, pp. 19–20.

‘Lesson and the Arts: Dies Irae, John Donne and Luke 7:36–8:3’, pp. 27–28.

‘Lesson and the Arts: Mark Tansey, Rembrandt Van Rijn, Matryoshka Dolls and Galatians 3:23–29’, pp. 36–37.

Barth on human existence

‘He who in revelation calls us from our enmity towards him unto himself, from death to life, by so doing, also gives himself to be known as him who previously called us out of nothing into existence – into existence as pardoned sinners, yet into existence as pardoned sinners. We cannot hear the Word of justification and sanctification, without it reminding us that it is just through this Word, in no other way and from no other cause, that we even exist, we who are justified and sanctified through this Word. This Word is the ground of our existence beyond our existence, it is just in virtue of its superlative existence, whether we hear it or not, whether we are obedient to it or disobedient, that our existence is a reality. This Word reached us, or ever we came or failed to come, by our coming or failure to come. Our coming or not coming is itself only possible, because this Word is real’. – Karl Barth, CD I/1, 508.

Princeton Theological Review – Theology and the Arts

The latest issue of The Princeton Theological Review – this edition put together by David Congdon, Chris TerryNelson, and others – is out. Commendably, it is dedicated to the discussion between theology and the arts. It can be read online here or download as a pdf here.

Articles include the following:

A Vacation for Grünewald: On Karl Barth’s Vexed Relationship with Visual Art
by Matthew Milliner

Call Forwarding: Improvising the Response to the Call of Beauty
by Bruce Benson

Theology and Church Music
by Gordon Graham

“A Pre-Appearance of the Truth”: Toward a Christological Aesthetics
by D.W. Congdon

The Beautiful as a Gateway to the Transcendent: The Contributions of the Decadent Movement in 19th Century Literature and the Theological Aesthetics of Hans Urs von Balthasar
by Walter Kedjierski

Fighting Troll-Demons in Vaults of the Mind and Heart – Art, Tragedy, and Sacramentality: Some Observations from Ibsen, Forsyth, and Dostoevsky
by Jason Goroncy

Sinéad O’Connor – ‘Theology’ – A Review

TheologyAfter recently giving birth to Yeshua in December, the iconic Irish artist Sinéad O’Connor is about to release her new album. Recorded in London and Dublin, and due out 22 June, ‘Theology’ is a 2 CD collection of deeply moving reflections based on the Hebrew Scriptures – Samuel, Song of Songs, Job, Isaiah, Jeremiah and numerous Psalms (33, 91, 130, 137) – songs which give voice to the passion, love, spirituality, rage and grace of these ancient prophets and address them to a new situation: Today. She says of the album, ‘I wanted to create a place of peace in a time of strife and conflict. ”Theology” is my own personal response to the times we find ourselves living in’. She also covers Curtis Mayfield’s brooding ‘We People Who Are Darker Than Blue’, Andrew Lloyd Webber’s & Tim Rice’s ‘I Don’t Know How To Love Him’, and the traditional ‘Rivers Of Babylon’ (with some new lyrics).

In a music-making career spanning over twenty-five years, beginning with fronting Dublin band In Tua Nua at the age of 14, O’Connor went on in 1987 to record her debut solo album ‘The Lion And The Cobra’, an album that raised the eyebrow of no lesser magazine than Rolling Stone who referred to it as ‘easily one of the most distinctive debut albums of the year’.

1990 saw the release of her second album, ‘I Do Not Want What I Haven’t Got’, with its haunting rendition of Prince song, ‘Nothing Compares 2 U’ – the song for which she is perhaps best known. It was also the year in which she won a Grammy for ‘Best Alternative Music Performance’. In an industry littered with boring and repetitious clones, and ignoring the marketing expectations of the international music industry, O’Connor continued, as she always has, to pave her own path. The result of the paving: her orchestral album ‘Am I Not Your Girl?’ which included a memorable rendering of the classic, ‘Don’t Cry For Me Argentina’.

Since then, she has in protest torn up a picture of Pope John Paul II on NBC’s ‘Saturday Night Live (in 1992), and released a number of albums of increasing maturity: ‘Universal Mother’ (1995), ‘Gospel Oak’ (1997), ‘Faith And Courage’ (1997), ‘Sean Nos Nua’ (2002), ‘She Who Dwells in the Secret Place of the Most High Shall Abide Under the Shadow of the Almighty’ (2003) and ‘Throw Down Your Arms’ (2005).

Her eighth, latest (and best yet) full-length album, ‘Theology’, is a double. Produced by Rubyworks, Disc 1, the ‘Dublin Sessions’, offers stripped down acoustic versions of the songs, while Disc 2, the ‘London Sessions’, offers mostly the same songs with full band. The acoustic disc was produced (with Sinéad) by noted trad guitarist Steve Cooney (known for his work with The Chieftains), Disc 2 by London-based producer Ron Tom.

It’s the kind of album you can listen to all week. Honest, challenging, thoughtful, mature, wonderfully timely … it is, quite simply, one of the best albums I’ve heard in years.

Making the time …

As many readers of this blog know, it’s not easy finding time for building the marriage and doing the research. Any tips? What measures do you have in place in order to give proper energy to home and study? Are there things we can be learning from each other here? One example, I always seek to stop working as soon as Judy gets home from work and set aside the next few hours for catching up and playing with Sinead together. This often involves going for a walk.

Baghdad Christianity

Just watched an informative video of a priest in Baghdad discussing Christianity, security and globalisation in pre- and post-invasion Iraq. It’s well worth watching, as are a few of the other videos from that site’s video archive.

On a related note, Chris Rice has posted some helpful thoughts on Karl Barth’s critique of 19th Century Theology as a guide for critiquing contemporary (and shameful) Evangelical American theology here.

Moberly, Jews, Christians, John 14:6 and Grace

I heard a stimulating paper this morning by Walter Moberly on Scripture and the Relationship between Christians and Jews. Apart from the paper itself, it was just great to witness a rare miracle – an OT specialist break out into exegesis on an area not of their ‘specialty’ (in this case the NT and John 14:6 in particular). In the name of ‘epistemological humility’, he suggested that in place of questionable language about worshipping ‘the same God’ it is better to speak of Jews and Christians, and Muslims, as respectively worshipping ‘the one God’. He then suggested that there is a difference between experiencing grace and experiencing grace as grace. Somehow, somewhere, in the discussion, I was reminded of Barth … as you do:

‘Grace is the presence, event, and revelation of what the human cannot think or do or reach or attain or grasp, but of what is, in virtue of its coming from God, the most simple, true and real of all things for those to whom it is addressed and who recognise it. Grace is the factual overcoming of the distinction between God and humanity, creator and creature, heaven and earth – something that cannot be grasped in any theory or brought about by any technique or human practice…. Grace is God’s sovereign intervention on the human’s behalf. The work and gift of this grace of his is the freedom of the children of God – their freedom to call upon him as Father.’ Karl Barth, The Christian Life: Church Dogmatics IV/4 Lecture Fragments (Grand Rapids: Eerdmans, 1982), 72.

The Offence of Beauty: A Conference

Trevor Hart, Jeremy Begbie, Nicholas Wolterstorff, Robert Jenson, Carol Harrison, Bernard Beatty, and Patrick Sherry … apart from the obvious omission of Forsyth, who else could you possibly want at a conference on such a theme? Anyway, here’s the blurb:

The colloquium takes place at a time of considerable and growing interest in the intersections of theology, beauty and the arts. Its particular concern is with the concept of beauty, and what a Christian theological perspective on beauty might have to offer to the arts today.

In recent decades, among those who practise, think and write about the arts, the notion of beauty has often come under deep suspicion. For many who have not dismissed it as irrelevant, it has even become a matter of offence.

For some, beauty is an offence against truth, a lie in the midst of a world that is so obviously not beautiful. The quest for beauty in the arts is the quest for an illusory consolation, signalling a primal human urge for order in a world we cannot bear to admit is destined for futility.

The pursuit of beauty has also been seen as an offence against goodness. In the hands of the comfortable and powerful, the love of beauty – in the arts as much as anywhere else – is a luxury that can easily muffle the howl of those who know little or no beauty, distracting us from our obligations to those in need. Or, from the other side, beauty dulls the oppressed to the injustice of their predicament.

Beauty is also distrusted insofar as it is assumed to ‘harmonise away’ the evilness of evil. In particular, there has been a distrust of theories of beauty in which the notions of balance, symmetry and equivalence predominate, where evil’s irrational, intrusive quality is suppressed, where it is subsumed into a harmonious metaphysics of necessity and seen as part of the necessary balance of things. Art, it is said, must never collude with such schemes.

Undoubtedly, the Church and Christian theologians have been as responsible as any others for generating and encouraging these suspicions. The question arises, however: can there be a theological perspective on beauty that takes these suspicions seriously, while at the same time refusing to set aside the notion of beauty altogether? More particularly: in what ways can attending to the triune God of Jesus Christ, and this God’s gracious, reconciling, self-revealing activity in and for the world, inform and transform our conceptions of beauty? In this light, are there ways in which it might be quite legitimate to speak of the ‘offence’ of beauty – especially in relation to the ‘scandal’ at the heart of the Christian faith, the vindication of the crucified Jesus? And – the focused concern of this colloquium – what might such theological construals of beauty imply about the way we practise, interpret and enjoy the arts in the twenty-first century?

More information:

This Life and the Next – a review

L. Harold De Wolf reviews This Life and the Next, by Peter T. Forsyth.

Born and educated in Aberdeen, Scotland, Peter T. Forsyth later studied in England and Germany. After several pastorates in England he became principal of Hackney College, Hampstead (Divinity school of the University of London) where he served for twenty years prior to his death in 1921. He brought to his writing a clear, penetrating mind, a sensitive feeling for the finer values and a concise but graceful style.

This Life and the Next is the first of several works by its distinguished author scheduled for republication here and in England. Originally written during the First World War it has lost nothing of timeliness and is well worth reissuance. This book is not devoted to evidences for belief in immortality but to “the reaction of that belief upon this life” (p. 1). He concedes the bad effects wrought by unintelligent and unworthy belief. He is especially opposed to the superstition and the magnification of trivialities exploited by spiritualistic mediums. That, he says, is not Christianity. “It is another religion and a debased” (p. 35). But the Christian faith in an elevated and growing lie hereafter with God is here and now a comfort and dynamic inspiration.

A neglected and welcome note is sounded when Dr. Forsyth deplores the dwelling of religious thought upon the human person, with his fears and hopes, almost to the exclusion of thought about God and duty and the kingdom. At times the reader might think the author had heard the recent psychologizing in some American pulpits, in which Dale Carnegie has displaced the gospel. In thought about immortality, as in the interpretation of present experience, only a faith which is God-centered is either theoretically or morally sound.

This review first appeared in Journal of Bible and Religion, Vol. 17, No. 1. (Jan., 1949), 46.

The thing that most stands out to me about this review is that it contains one of too few acknowledgments of Forsyth’s clarity of writing style: ‘He brought to his writing a clear, penetrating mind, a sensitive feeling for the finer values and a concise but graceful style’. To be sure, Forsyth is not always ‘easy going’ (why should theology be?) but those who persist with him can not fail to hear what he is saying with almost frightening penetration, for in that hearing one is being addressed by the living God clothed in his gospel.

Two Reviews by Groetsema

Frederic Groetsema’s reviews of P. T. Forsyth, the Man and His Work by W. L. Bradley, and P. T. Forsyth, Prophet for Today by Robert McAfee Brown.

It is significant and heartening that these two books about Peter Taylor Forsyth should appear almost simultaneously. Long neglected or at least overlooked by American theology, Peter Taylor Forsyth not only deserves to be heard in our time, but must be heard because what he has to say so strangely fits our needs and contributes to the solution of our religious and theological problems. Both of these young authors intend, through their books, to give the reader a taste of Forsyth’s thought on a great range of theological topics, and in so far as possible, both let the man speak for himself. Through these quotations, we are brought face to face, or it is better said, heart to heart with the warm, vital, stimulating, if sometimes paradoxical, thought and language of this “prophet of today.”

Dr. Bradley gives the newcomer a very commendable introduction to Forsyth in the three opening chapters of his book. P. T. Forsyth had an interesting and vital life as preacher, lecturer, writer and seminary president. Never a man to seek out controversy, he often found himself the center of such storms. We must know this volume. He has attempted to set forth in very brief form Forsyth’s thought on four great and important theological matters:

The Holiness of God, The Atonement, The Doctrine of Christ, and The Church. Dr. Bradley has brought together in his concluding chapter representative opinions regarding Forsyth and, rather than decreasing the stature of the man, we come more and more to recognize that here is one to whom we should listen with strict attention. One cardinal weakness in Dr. Bradley’s volume is the lack of any index; perhaps this could be added in later and revised editions.

Dr. Brown’s style is more readable and I found his discussion of Forsyth’s interpretation of history and the necessity of the church particularly rewarding. The rather formidable list of the works of Forsyth included at the end of Dr. Brown’s book testify to the magnitude of the task undertaken by these young men. The excellent index at the conclusion of this second book will be of great help to the student or minister who is just beginning to get acquainted with the fertile and prolific mind of this “prophet of today.”

It is to be hoped that both of these men will continue their interest in, and interpretation of, Forsyth, for in so doing they do a real service to both American theology and Protestant churchmanship. Neither can very long continue to ignore the works of one who, though dead, “yet speaketh” to our needs and time with strange contemporaneousness.

This review first appeared in Journal of Bible and Religion, Vol. 21, No. 4. (Oct., 1953), 292.