Each year, the Theological School at Whitley College hosts a Religious Art Prize, each time around a different theme (this year’s theme was ‘Love and Justice’). I am absolutely delighted to learn that this year’s prize was awarded to Libby Byrne. Libby is an art therapist and theologian who is currently working on her PhD in theology. I had the privilege of serving on her PhD confirmation panel, a context through which I learnt more about her and her work, and about what is shaping up to be a very exciting and boundary-pressing piece of doctoral study. Libby also contributed a very fine chapter to the edited volume ‘Tikkun Olam’ – To Mend the World: A Confluence of Theology and the Arts, about which I wrote the following:
Libby Byrne’s essay explores the premise that the artist’s calling is to ‘live close to the wound’. Locating this contention within the nexus that seems to exist between art, theology and philosophy, she argues that we are able to consider the prevailing conditions required for the artist to work toward the task of mending that which is broken, and, drawing on theory from Matthew Del Nevo and Rowan Williams, Byrne helps us understand the importance of melancholy and vulnerability in the sacramental work of human making. She provides examples of how this theory may work in practice with particular reference to the work of Anselm Kiefer and finally with her own studio practice, reminding us that it takes courage to choose to live and work close to our wounds, and also that by so doing the artist not only opens themselves to the possibility of transformation but also offers to others gifts that reverberate within the world and that call us to healing and wholeness.
Hearty congratulations Libby!